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For this shoot of an Evenki reindeer roundup in Russia, I'm using a ThinkTank Digital Holster, perfect for fast access to a camera and two lenses. Photo by Max Holmes. |
How To » Carry the gear
Until they start including a free assistant with every DSLR system sold, the challenge of "how do you carry all this junk" remains a tough one. The problem is compounded when you consider that in order to capture a fleeting moment, you may be required to get a camera out of a bag and up to your eye in seconds.
Over the years, I have tried bulky, padded photo backpacks, shoulder bags, and even a custom-made messenger-style bag my wife and I designed. Nothing is perfect; it's all compromise.
Nature photographers have been the biggest supporters of photo backpacks. Backpacks distribute the weight, but at the expense of accessibility. Every time you want to take a photo, you have to take the backpack off, put it down, open it up, and get out the gear. Try doing that in the middle of rush hour in a Moscow metro station, or while shooting oyster farmers in two feet of freezing seawater. My other beef with these behemoths is that they can weigh close to 10 pounds empty. Still, if you have to carry big lenses, this is pretty much your only alternative. When I am carrying the full load including a big telephoto, I'll grab my ThinkTank Airport Acceleration- just big enough to hold everything I need, and petite enough to fit on smaller aircraft without a gate check.
Photojournalists have long relied on rectangular-shaped, compartmentalized shoulder bags. While solving the problem of easy access, the danger of spinal damage becomes very real when carrying an array of f/2.8 zooms and professional bodies that can weigh over 30 pounds since the load is borne entirely by your shoulders and back.
When I need fast access to my cameras and lenses, I use a ThinkTank holster and waist belt system. A camera and favorite lens can be accessed within 5 seconds from the holster. I'll store a second camera, extra lens and flash in a waist bag. This way, the weight is split between your shoulder/back (the holster) and hips (waist pack). ThinkTank, founded by a group of photojournalists, is a relative newcomer to the camera bag scene. Their cases are designed for working photojournalists who need fast access to their equipment. Zippers are sturdy and the bags are trim. Little things, like mesh pouches on the outside of lens cases to hold lens caps, are thoughtful add-ons.
Ok, like I said earlier nothing is perfect. You do look a bit dorkier with a toolbelt and scads of pouches hanging off of you. But look at it this way, with the money you will save in chiropractic bills you can afford a nicer shirt and some new shoes.
For a typical documentary assignment, I load a Digital Holster 40 with a Canon 5D Mark II with 24-70 f/2.8 attached. A stealthy side pocket holds a cable release and extra memory cards. In the Multimedia Wired Up 20 waist bag, I have a 7D with 70-200 f/4 attached plus a 16-35 f/2.8 and 580 EXII flash. In the front pocket, I stash my Olympus LS-10 sound recorder and an assortment of filters, batteries, and business cards. If I need a tripod I either carry it by hand or sling it using a thin strap.
Ultimately, whichever carrying system you decide on should allow you to carry the equipment you need in a way that you can access it quickly without causing too much pain.
ThinkTank special offer: if you log in to my ThinkTank Affiliate page (code AP-195), you will qualify for a free accessory (like the Cable Management 20, Pixel Pocket Rocket, Modular Pouch, or Security Tag) when you spend $49.50 or more.
